Which Griffith film has four stories?

• A. Intolerance
• B. Film Color for Emotion
• C. First Animation
• D. Stop Motion

Answer: (A)

The main idea here is seeing how early cinema uses parallel storytelling and cross-cutting to link different eras around a single theme. Intolerance weaves four separate narratives—an ancient Babylonian tale, a Biblical-era story about the crucifixion, sixteenth-century France during the persecutions, and a contemporary American story—so audiences witness how intolerance causes similar harms across time. The interwoven structure strengthens the message by showing a shared pattern of human prejudice, rather than treating each story in isolation. That distinctive four-story, intercut framework is what makes this film the best answer. The other titles aren’t defined by four parallel narratives, so they don’t fit as well.